WHITLINGER

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white knuckle, hairy palm racing.

Google - destroying my imagination since maybe a few years.

The New Aesthetic
The New Aesthetic concerns itself with “an eruption of the digital into the physical.”
“One of the core themes of the New Aesthetic has been our collaboration with technology, whether that’s bots, digital cameras or satellites (and whether that collaboration is conscious or unconscious), and a useful visual shorthand for that collaboration has been glitchy and pixelated imagery, a way of seeing that seems to reveal a blurring between “the real” and “the digital”, the physical and the virtual, the human and the machine. It should also be clear that this ‘look’ is a metaphor for understanding and communicating the experience of a world in which the New Aesthetic is increasingly pervasive.”
“Because a line has been crossed, technology/software/code is in and of the world and there’s no getting out of it. Some architects can look at a building and tell you which version of Autodesk was used to create it. The world is defined by our visualizations of it. (Someone who makes such things told me: what they put in, even as place-holders, always ends up getting built. Lorem Ipsum architecture.)”
“People are ‘acting’ in ways we may or may not understand, which may or may not have an effect in the real world, whether it’s signing petitions, organising riots (on BBM), clicking, ‘liking’ KONY, whatever, the correct (maybe) response is not to have an opinion (default internet response, still) or a moral position, but to live inside the thing as it unfolds.”
http://booktwo.org/notebook/sxaesthetic/
http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/
Thank you, Amy Youngs, for enlightening me. View high resolution

The New Aesthetic

The New Aesthetic concerns itself with “an eruption of the digital into the physical.”

“One of the core themes of the New Aesthetic has been our collaboration with technology, whether that’s bots, digital cameras or satellites (and whether that collaboration is conscious or unconscious), and a useful visual shorthand for that collaboration has been glitchy and pixelated imagery, a way of seeing that seems to reveal a blurring between “the real” and “the digital”, the physical and the virtual, the human and the machine. It should also be clear that this ‘look’ is a metaphor for understanding and communicating the experience of a world in which the New Aesthetic is increasingly pervasive.”

“Because a line has been crossed, technology/software/code is in and of the world and there’s no getting out of it. Some architects can look at a building and tell you which version of Autodesk was used to create it. The world is defined by our visualizations of it. (Someone who makes such things told me: what they put in, even as place-holders, always ends up getting built. Lorem Ipsum architecture.)”

“People are ‘acting’ in ways we may or may not understand, which may or may not have an effect in the real world, whether it’s signing petitions, organising riots (on BBM), clicking, ‘liking’ KONY, whatever, the correct (maybe) response is not to have an opinion (default internet response, still) or a moral position, but to live inside the thing as it unfolds.”

http://booktwo.org/notebook/sxaesthetic/

http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/

Thank you, Amy Youngs, for enlightening me.

Immortalizing the potato chip. View high resolution

Immortalizing the potato chip.

Inspiring talk by Ernst Caramelle today at the Wexner Center.

Back to work.

The Cameraman Creed.
Contempt [1963] View high resolution

The Cameraman Creed.

Contempt [1963]

NBA Playoffs